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![]() p2160191g Joseph describes how the pedalboard was restored |
![]() p2160192 The wooden parts were refinished and the expression pedal was re-plated |
![]() p2160193g Hugh explains fine points of chrome plating |
![]() p2160194 |
![]() p2160195 Joseph shows Huntley our restored Gedeckt pipes, ready to re-install |
![]() p2160196g In the voicing room, Joseph shows construction of reed pipe |
![]() p2160197 This pipe is a trumpet similar to our Cornopean stop |
![]() p2160199e Close up showing brass reed and tuning wire |
![]() p2160200 Note tuning slot and scroll indicated by arrow |
![]() p2160201g Tuning of pipe is affected by both scroll and tuning wire, indicated by arrows |
![]() p2160202 The shape and length of the resonator affect the tone |
![]() p2160203 Unrestored (left) and restored Aeoline |
![]() p2160204 The first step in restoration is cleaning and polishing |
![]() p2160206 The Aeoline basses are tuned using the slot and scroll |
![]() p2160210r Shellac protects the zinc bass pipes agains corrosion |
![]() p2160211 Various kinds of leather are used in organ restoration; the brown is kangaroo |
![]() p2160212a Joseph and Huntley discuss chrome plating |
![]() p2160215c Joseph shows us a console from another church |
![]() p2160213a That's the other church's console in the background |
![]() p2160216g The combination action from the other church's console |
![]() p2160217 It is one of only four surviving Skinner vertical combination actions |
![]() p2160218 The wiring panel at the back of our console; I forgot to photograph the front! |
![]() p2160219 Joseph points out the stop knob action inside |
![]() p2160220g Back of name board with coupler action magnets at bottom |
![]() p2160221 Nancy admires the vertical combination action |
![]() p2160222 Peter and Joseph |